Navigation menuIt also hit number one in Canada. A panty lovers dream Soft flower satin shiny as the panties glimmer as I move in the light. Horny glam skank creamed 7 min Jess-charleston - Billboard  32 U.
It also hit number one in Canada. On Days of Future Passed, the poem's last five lines bracket the album and also appear at the end of track 1 " The Day Begins ". The song appeared on Sandra's sixth studio album Fading Shades Retrieved 13 May
BBC Radio 2. Retrieved 17 May Satin bloom gives head and swallows cum.
The orchestral ending is kept intact, but mastering engineers edited out the gong struck by Mike Pinder that closes the track on the original LP. Clothed glamour euro threesome suck and fuck. Retrieved 14 April
Sissy Delicious - The Classical , Although it only had limited commercial success on its first release, the song has since garnered much critical acclaim, ranking number 36 in BBC Radio 2 's "Sold on Song Top " list. New Zealand Singles Chart .
When first released as a single inSatin Rock reached number 19 on the UK Singles Chart and number in the United States in Klimaanlage Auto It was the first significant chart entry by the band since " Go Now " and its recent lineup change, in which Denny Laine and Clint Warwick had resigned and both Hayward and John Lodge had joined.
It earned a gold certification for sales of over a million U. It also hit number one in Canada. It reached its highest UK position this year at number 9. The song again charted in the UK in reaching number The song charted again inreaching number 51 in the British Official Singles Charts. Band member Justin Hayward wrote and composed the song at age 19 in Swindon, and titled the song after a girlfriend gave him a gift of satin bedsheets.
The song itself was a tale of a yearning love from afar, which leads many aficionados to term it as a tale of unrequited love endured by Hayward. Hayward said of the song, "It was just another song I was writing and I thought it was very powerful.
It was a very personal song and every note, every word in it means something to me and I found that a lot of other people have felt that very same way about it. The London Festival Orchestra provided the orchestral accompaniment for the introduction, the final rendition of the chorus, and the "final lament" section, all of which were in the original album version.
The "orchestral" sounds in the main body of the song were actually produced by Mike Pinder's Mellotron keyboard device,  which would come to define the "Moody Blues 's Satin Rock sound".
The song is written in the key of E minor  and features the Neapolitan chord F. The two single versions of the song were both stripped of the orchestral and "Late Lament" poetry sections of the LP version. The first edited version, with the songwriter's credit shown as "Redwave", was a hasty-sounding version of the LP recording with very noticeable chopped parts. However, many versions of the single are listed on the labels atbut in fact are closer to the later version of For the second edited version with the song's writing credited to Haywardthe early parts of the song were kept intact, ending early at Although it only had limited commercial success on its first release, the song has since garnered much critical acclaim, ranking number 36 in BBC Radio 2 's "Sold on Song Top " list.
The spoken-word poem heard near the six-minute mark of the album version of the song is called "Late Lament". Drummer Graeme Edge wrote the verses, which were recited by keyboardist Mike Pinder. On Days of Future Passed, the poem's last five lines bracket the album and also appear at the end of track 1 " The Day Begins ".
While it has been commonly known as part of "Nights in White Satin" with no separate credit on the original LP, "Late Lament" was given its own listing on the two-LP compilation This Is The Moody Blues in and again in without its parent song on another compilation, Prelude. Both compilations feature the track in a slightly different form than on Days of Future Passed, giving both spoken and instrumental tracks an echo effect.
The orchestral ending is kept intact, but mastering engineers edited out the gong struck by Mike Pinder that closes the track on the original LP. From through the early s, the Moody Blues toured with shows backed by live orchestras.
When with orchestral accompaniment, they often took the opportunity to include "Late Lament" in the performance of "Nights in White Satin". On these occasions, Edge recited it himself, since Pinder was no longer in the band at that time. The attraction, which included 3D- black light and fiber-optic lighting effects and Nebenjob Lebenslauf films, was developed by Sally Corporation and Jon Binkowski of Hard Rock Park.
Riders entered through a bead curtain and were provided with 3D glasses. The attraction operated as "The Trip" for the single season the park operated as Hard Rock Park, but was rethemed as "Monstars of Rock" with the sale and retitling of the park as Freestyle Music Park ; "park officials said the experience will be similar but the presentation will be changed. Released as a single, it charted Klier Dresden the top 40 on the UK singles charts.
A pop-rock cover version was performed by the German singer Sandra. The song appeared on Sandra's sixth studio album Fading Shades It was produced by Michael Cretu and received mixed reception from music critics. The song was released as the lead single in the spring of see in musicalthough it failed to match the success of Sandra's previous singles. The song peaked at 1 in Israel spending two weeks at the top17 in Finland, and 34 in New Zealand Sandra's only charting hit there.
In Germany it only peaked at 86, becoming her least successful lead single in that country to date. In the United Kingdom, it failed to enter the chart. The music video, directed by Angel Hart, showed only close ups of Sandra's face as she was pregnant at the time. She even had to sit during Dominik Noack recording sessions of the album.
Note that the Fading Shades album cover was taken from the music video. From Wikipedia, the free encyclopedia. Symphonic rock   proto-prog  pop .
Billboard Hot  2 U. Billboard Adult Contemporary  37 U. Cash Box Top Monsterschwanz Anal 1 U. Billboard  32 U. Cash Box  Sound on Sound. Retrieved 15 December New Straits Times. Retrieved Panama Wjt August Official Singles Charts.
Retrieved 19 September Archived from the original on 17 May Retrieved 25 March Sold on Song: Top BBC Radio 2. Ö3 Austria Top Retrieved 18 August Ultratop Retrieved 8 May Les classement single.
Media Control Charts. PhonoNet GmbH. Single Top Swiss Singles Chart. Official Charts Company. Retrieved 20 October Irish Singles Chart. Retrieved 15 February Cottbus Erotik Retrieved 8 September Top Adult Contemporary: — Record Research.
Archived from the original on 16 September Retrieved 12 July Archived Satin Rock the original on 27 April Cashbox Magazine. Retrieved 21 May British Phonographic Industry.
Retrieved 17 May Select singles in the Format field. Select Silver in the Certification field. Recording Industry Association of America. The Sun News. Archived from the original on 16 August Retrieved 13 May Retrieved 14 March Archived from the original on 15 April Retrieved 14 April GfK Entertainment. Hung Medien. Retrieved 5 July The Moody Blues.
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PC Satin Oribe. A modern take on a traditional Japanese oribe glaze, Satin Oribe adds a wonderful blue-green burnished look to your wares. Over texture, the dark green pools and light grey breaks bring an extra level of depth to this opaque glaze. Apr 15, · The Moody Blues played "Nights in White Satin" and other hits at the Rock and Roll Hall of Fame induction ceremony. Moody Blues Play 'Nights in White Satin,' 'I'm Just a Singer' at Rock . With its groundbreaking melding of classical and rock music, its evocative imagery, its haunting and plaintive melody, and its iconic station in the rock canon, the Moody Blues’ “Nights in White Satin” was ideally suited to be reinterpreted as a theme park dark tegram.me Rock Park and its collaborators, the Sally Corporation, did a masterful job creating an immersive, dream-like.